Google+ bakers and astronauts: 03.09

30 March 2009

Castles

On the day we worked in small groups with the overhead projector, another station was block building. It is a very boy dominated area in our classroom, so I thought we should get some girls in, and have the children work cooperatively with some new people.

Out of the six groups, four built castles.





As each new group entered, I said, "Before you build, talk together about what you will make as a group." For the groups that built a castle, it was the first idea shouted out by a child. Two of the groups built their castle in just a few minutes and then began playing with it, using small cylinders as people. The castles had slides and pools and stairs and rooms - they were well planned. I had not heard so many "I have an idea!!" moments in such a short span of time in a while.

And I'm also noticing the pictures now. In our journals, at the writing table...



"It has so many rooms!" - Je


And, as to be expected, we're writing about castles. Tales of princes and princesses who marry each other and move into a castle are the subject of at least one book written in the classroom each day.

The girls are interested...the boys are interested...

28 March 2009

Turtlewings Atelier


Up high on my list of recent inspirations is my visit to the Turtlewings Atelier here in Brussels. They had an open house for their grand opening, and I took a few photos of some children at work in the downstairs space.




They have a perfect setup for their overhead projector; the children can interact with the shadows and light, walking right through it and observing it from the opposite side of the screen. I got to watch as the boy built with pattern blocks, and the girls walked back and forth through the sheet, chanting, "Looks like the sun, looks like the sun..."

In the future, this space will be for their recycled materials library. Upstairs is a large table for their workshops, as well as a small selection of books for sale.

I'm hoping to bring my class to the atelier this spring for a workshop. But for now, I'm sifting through posts about past projects on the Turtlewings blog and going through a pretty inspiring link list.

26 March 2009

In Your Hands and On The Wall


I introduced the overhead projector yesterday. I've seen so many photographs, many from Reggio Emilia, of children using materials on the projector's surface. The children worked in groups of three for ten minutes as an introduction.


I was lucky enough to be able to observe all of the groups without interfering and without anyone needing my assistance. Most children laid tiles randomly on the surface for a few minutes and then began constructing objects out of the blocks, like houses and flowers. Some were really interested in the way their hands looked as shadows on the wall, and how the colors looked on their own bodies while standing in front of the light. Others were not interested at all, which is obviously to be expected.

I'm picking up my film after school today -- it includes photographs from a visit to the new Turtlewings Atelier. My husband, my brother and I attended their Grand Opening last weekend. They have a beautiful setup for their projector -- onto a white sheet in the middle of a wide open room so that the children can experience it from both sides. I have mentioned them before - -I was part of a casual meeting in November. They found a beautiful space! If you are in Brussels, you should visit them here. I'll share those pictures with you tomorrow.

Happy weekend!

Where The Wild Things Are


Maurice Sendak reinterpreted by Spike Jonze and Dave Eggers, starring Catherine Keener, with music by Karen O. That is my kind of movie.

See the trailer here or here.

I am quite hopeful about this one -- I'll be first in line to see it in October. It is a risky move, though, taking a classic book with so little text and making it into a feature length film. At the conference I went to last weekend, the keynote speaker, Michael Rosen, mentioned Where The Wild Things Are as a book that even the youngest children can relate to. When Max wants to be where someone loves him most of all, a two-year-old can tell you that is with Mommy.

Unfortunately, I don't remember having this book as a child, but using it in my classroom has shown me the impact that it does have on young children. I had a fleeting idea of doing a monster project earlier this year because of the artwork and stories that were created on the topic. Perhaps it will come up again.

But for now, I can mark October 16th down on my calendar.

22 March 2009

Art Basics for Children

"The ABC house, nearby the Brussels Noordstation, opened on 16 February.

The ABC House is an open, multifunctional building where ABC houses a cinema and theatre, several workshops, an all size kitchen, a large studio and the ABC offices.

See, feel, try, taste, explore...
On each level, the ABC House stimulates your senses, your heart and your mind. In the different workshops, wood, metal, textile and fabric, clay and paper will rouse your imagination. The ABC kitchen invites you to cook with friends and family and with your classmates. Whenever you feel like relaxing, you are welcome in our cinema, crèche-café (for the smallest children) or library."

The photo above does no justice; take a look at the photos on their website.

There is also a short article on the initiative here. It is such an inspiring idea!

The Young Person's Guide to the Orchestra

This will be part of our week.



What's happening in your classroom?

19 March 2009

More Professional Development


I am heading here on Friday and Sunday. I'm especially looking forward to a talk about the Danish Forest Schools!

I imagine I'll come back with some inspiration to share.

Bon week-end!

18 March 2009

Journaling





I have read two posts about journals in the past few weeks: here and here. Journaling really looks different in every classroom. This is my first year using them on a regular basis and it is going very well.

We began the year drawing and using journals as a choice, but recently we have begun to have journal time together. Children are more interested in adding letters to their pages now than they were at the beginning of the year, so we put the alphabet sheets on the table to encourage them.

The journals are a great way to learn about sketching, too. During our forest project, we sketched in the forest, and then revisited those skecthes for another draft.

Yesterday, we all sat down with our journals, and I put on a slideshow of recent photos. I would like the children to use their journals to reflect on what is happening in the classrooms and their interests; but it is in no way an obligation to use those prompts.

There is also no obligation for the children to make an "entry" on one page - many of the younger ones just find any blank page or space in their book and draw. One child seems to be creating four page stories one after another, "reading" them to us when she is finished.

I think there must be more ways to use them, and it really depends on the classroom, the children, the curriculum...

13 March 2009

Documentation and Parents 2



Day two of parent teacher conferences. I do not have any amazing quotes from the day (yet...there are still three conferences to go...). Unless you count the parents that insist that their daughter must have learned the phrase "you silly old goose" from me. How else can they explain that she says it 15 times a day?

I have noticed parents looking at the documentation, which I am glad for. Not everyone, or course, but some. I like to put a book of information for them to look through -- it makes it a little more interactive. Inside of the "What are we making?" book that is in the second photo are my notes from my one on one meetings with the kids to plan what they would make out of fabric.

The rest of the photos and words are the progession of getting interested in sewing and textiles to the evolution of what we sewed and the current progress of our sewing projects. I also showed each parent their child's work in progress during their conference.

Some look and some do not. Is there too much text? I think I should be including more of the children's words - recorded conversations transcribed for the parents to read. I also have to remember that I have a population of parents who are not fluent in English, so perhaps there should be more photos and work from the children.

I also like the idea of including children in the documentation process. Shouldn't it be for them, too?

12 March 2009

Parent Teacher Conferences

The best parent comment today, by far:

"Maybe we shouldn't be so strict with her at home. She is on her third [work]book of alphabets, and she has to trace the letters. But when we take the book out she cries."

(in response to my explanation of learning through experimentation and how we "teach" letters)

10 March 2009

Documentation and Parents

It is time for parent-teacher conferences this week. I'm working hard to put together some documentation about our current sewing project -- the kids have wonderful ideas and are all working hard to make something to bring home and keep. That seems to be the theme when I ask the kids about their projects at least!




I hope that the parents take the time to look at the photos and words that I'm presenting. Most bulletin boards are one art project that every child in the class has done with each piece clearly labelled with the artist's name. Is it that important to label with names? Does everyone have to do it? I think that is something that is done for parents. In my opinion, the children bring home artwork everyday, so each parent knows their child is producing artwork, and what it looks like. Documentation (or bulletin boards) are about our classroom community and what is happening. I think it is a true releflection of what is going on, rather than twenty coffee filter butterflies.

But are the parents looking at it? I'll share this round of documentation with you later this week, and I may have an answer to that question as well!

08 March 2009

Natural Playthings

A few weeks ago I was looking at the new issue of small magazine and the lovely photos of Judith Needham's willow houses as play spaces for children. They are really beautiful, and they leave so much to the imagination!

I was taken by what she said when the interviewer asked her about children enjoying things that are not Disney or pink plastic. She said that in her experience, "...children are just as happy with toys and play spaces with natural materials and muted colors."

Of course!

She also suggests buying second hand because you are able to change the toys more frequently. I could not agree more! I find the most beautiful things for the classroom at Les Petits Riens here in Brussels. In the states I don't think I went a month without a healthy visit to the Goodwill on NW 65th and 8th Ave NW in Seattle. I am a sucker for baskets and jars.



But the most wonderful idea she has here, I think, is to change the way you think about toy "ownership" -- find other like-minded families and together create a library of wooden, handmade, and natural toys. Brilliant!

Check out the interview here.

*wooden blocks from little alouette via etsy

05 March 2009

Mermaid Man In The Bubble

I think I'll take a break from all my writing and share someone else's words. Enjoy!

Mermaid Man In The Bubble


Mermaid Man was blowing bubbles. First he blew a little bubble, and then he blew a big bubble.

And then the big bubble...he got stuck in the big bubble!


And then he decided to pop the bubble. And he was happy! The End.

Writing: Part Three

Inventive spelling is a stage of writing development that happens when children are allowed to explore and play with letters. When I began teaching, I will admit is was a little mysterious to me. I do not remember doing this as a child, and I certainly don't have any evidence that I did. But it is amazing to watch a child enter this stage because of how happy it makes them that people can read what they have written! It is a powerful thing to link letter sounds back to the letter and write it down.

In the examples that follow, the children were at the writing center in the classroom during choice time. My assistant and I have a policy of not spelling out words for the children whom we know are capable of spelling inventively. The examples come from the work of those children. Our assistance comes in the form of slowing down a word and helping them hear the individual sounds that a word contains, and celebrating them getting letters down onto the page.

For example, if a child is spelling "zoo", and I say "zzzz", they will hear a distinctive "z" sound; or perhaps they offer an "s". That's fine. Then I say "ooooo", and they say, "u", that is fine. I point at their word and slowly say "zzz-ooo, zoo!" I do not mind if it says "zu" ot "su" -- they can read it, and an adult who understands the concept of inventive spelling can as well.




Consonants are much easier to distinguish a sound from than vowels, and that is definitely reflected in inventive spelling. One of my students is constantly writing books with the same title: Princess, Princess, Princess. She includes all but one of the consonants here, and no vowels. This is a child who is very interested in princesses; and I imagine that her high exposure to the word "princess" in books and understanding of print has helped her remember the distinctive look of the "ss"at the end of the word.



"The Kid Who Found Two Triangles In The Sky"



"Fluffy"

This last example includes vowels -- children seem more likely to include ones at the end of words, especially when they have a distictive sound like "ee" or "oh".

I have seen parents and educators helping children spell by slowing down words to make different, distinct sounds, but then correct the children when they don't suggest the correct letter. How frustrating! If a child hears "k" at the beginning of "cookie"when they are five years old, is that a problem? In my opinion, no. Just today, the boy who wrote "The Kid Who Found Two Triangles In The Sky" wrote a book called "The Money Maker", and wrote "THE MNE MKR". He is beginning to memorize common, high usage words. As he learns more in higher grades, he will learn about sound blending and long and short vowels, but we have no need for that right now.

We just want children to feel that they are writers, no matter what they put on the page.

Next : Writing Stories and Books!

03 March 2009

Writing: Part Two

After children draw and experiment with scribble writing, they begin to use letters in their writing. The letters above were written by a four-year-old girl; some of the letters she wrote are in her name, and she is experimenting with their direction and placement.



This was written by a five year old; he, like the other children in these examples, is playing with random strings of letters. Children who are exposed to books and text gain the understanding that letters and words carry meaning, and they want to write as many letters as they see in books and in their environment, rather then just their name or a few letters.


This is another example of random strings of letters, and this one comes from a four-year-old. She worked on this for an extended period of time, about 15 minutes, in the writing center. In this piece, she is also writing short lines from left to right, and from top to bottom, showing her understanding of how text works.


I wanted to include an examples without letters to enter in my belief that there are multiple symbol systems that we can write. In the picture above, a four-year-old girl used the calendar in the classroom to copy all of the numbers. Writing numbers is as common as writing letters, especially when there are numbers in the environment to inspire the child. She also uses "mirror writing", which many children do for quite some time before writing the "correct" way. I have a few students this year who switch back and forth between the two depending on the situation, writing forwards one day and backwards the next.


Another symbol system that children in my classroom have been trying out a little is musical notation. The five-year-old above wrote this "song" -- when he finished he sang it for me:

One gray, Two pink
Three green, Four blue
Five orange...

...in ascending notes. I was quite taken by the five staff lines that he drew across the page. There are many more symbol systems that I am not mentioning here, but you get the idea!

Next will be my personal favorite: inventive spelling!

02 March 2009

Writing: Part One

This week, I'll be sharing some thoughts about writing and young children. Reading and writing are essential skills, and their development begins in infancy and continues throughout a lifetime.

I'd like to say a few quick words about literacy development in the infant and toddler years. There is nothing more important to the healthy development of reading and writing skills than the development of oral language. Making noise and hearing language is the basis for everything else -- and i think people underestimate the importance of that fact. Children need time to play with language and sound and mouth movements and songs and rhymes and conversation before they write. I imagine most people who can ride a unicycle learned how to ride a bicycle first -- there are some basics that you should explore and experience in a logical order so that you do not get overwhelmed with the task at hand.

To learn about children's writing, you have to see children's writing. So today is for what writing looks like before letters.



Above is a drawing made by a two-year-old. She is not making random scribbles -- her marks seem to have some intention. She has enough fine motor control to "color in" some of the lines. Her words for this were "Mommy, Daddy, Me."
This black pen drawing was made by a child who is three years old. There was more time spent on this piece, and he experiments with a variety of lines and shapes in his drawing. Learning about sharp lines and curves is learning about writing. Children are practicing the skills they are going to need to write letters. Experimentation is so important to writing development -- I know I do not have fond memories of tracing letters over and over and over again to learn how to write them properly. Open-ended art activities give children the opportunity to use their muscles to control the marks they make on paper with the tools that they choose, making them the expert rather than the manufacturer of a product.



These sticky notes are the writing that is done while some four-year-olds in my class are pretending to be on the phone. They are messages and phone numbers and addresses -- in scribbles from left to right, and from top to bottom. The children are pretending to write like adults do, an that imitation and practice is a great way for the children to develop those skills.



This last example is of a child using their environment to inspire their writing -- this is a four year old using writing in their environment (a sign-up sheet in the classroom) to inspire their own writing. This child is created a sign-up sheet, and then signed his own name on the top line.

These four examples are a pretty natural progression of writing development from two years to four years; but I am not one to etch things in stone. Many people refer to windows of development, and that is an excellent metaphor, especially for writing. Children may show no interest until five or six; they may skip scribbling; they may need extra help gripping a marker before this exploration can begin.

I find children's writing quite fascinating, and I'm looking forward to writing more about it! Tomorrow I'll be sharing some more writing samples from the next "stages" of writing development, and then talking about book writing and encouraging writing in the classroom.

01 March 2009

Jump Up

Today is the last day of the winter break, and I have gotten myself so excited with all this music talk that we just might have to extend both morning and afternoon meeting tomorrow to fit in a little extra music!

But I do want to share one more favorite children's artist of mine... Dan Zanes. When I was in college, I worked at Books of Wonder in Manhattan, and we carried Dan Zanes' first album, Rocket Ship Beach, in a little pile on the counter. It was in a beautiful board book kind of packaging, and I bought it for myself, and then for everyone I knew under the age of eight. But I think it's great for all ages.

The second release from Dan Zanes and Friends was called Family Dance, and it has one of my favorite original songs from the group, Jump Up.

Jump up
Day is breaking
Jump up
Let's get shaking
I know you're lying down
Jump up
And we'll dance around



Since that first release in 2000, the band definitely took over New York and then the rest of the country quickly followed. They tour every year, playing family friendly venues on Saturday afternoons so the whole family can dance together! They include classic folk tunes on many of their records, exposing children to new sounds and languages. It is probably the most "kid-like" music of the artists I have been talking about, but I'm happy to include it in my music collection.

This coming week, I'll be talking about writing in the classroom, and hopefully giving you a peek into our current sewing project!
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